Strymon DIG Dual Digital Delay Pedal V2.

Description

The rack-mounted digital delays of the ’80s remain as popular today as they were some forty years ago. Renowned for their crystal clean delay repeats, digital delays had theirown special and intriguing sonic characteristics that made them a must-have for guitarists everywhere. The Strymon DIGcaptures the soul of these rack-style delays in a compact, pedalboard-friendly package, making it a valuable asseton your pedalboard andushering in a new era of digital delay!

New for 2022, Strymon have updated theoriginal DIG with a number of improvements and technological advancements, making it even better than before (if that is even possible)!The DIG V2 now boasts two simultaneous integrateddelays with five rhythmic subdivisions and threedual delay routing options. There are also three distinctly different voicing options on tap-the early 80s adaptive delta modulation mode, the mid-80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode,opening up a wealth of musical possibilities.

Other upgrades include full MIDI implementation, a premium analogueJFET input circuit anda new and improved user interface, all whilst boastingthe same great features that made the original DIG so popular!

Key Features

MIDI -The DIG’sfull MIDI implementation allows to you control every parameterremotely via MIDI commands, giving you complete control over the effect.
True & Buffered Bypass -Chose between an electromechanical relay switched true bypass, which will keep your bypassed signal 100% untouched, or a high-quality buffered bypass that gives your signal a boost when using long cables runs.
JFET Input -Ahigh impedance ultra-low noise discrete Class A JFET preamp input delivers uncompromised dynamics and feel witha super-responsive touch.
Stereo In & Out -DIG features full stereo in/out capabilities allowing you to experience immersive, studio-quality digital delays in your stereo rig or recording environment.
Line/Instrument Level – DIG’s adjustable input signal level makes it versatile optionon stage and in the studio, for a number of a different instruments includingsynthesizers andkeyboards.

Here’s what Strymon say about the DIG Dual Digital Delay V2

Delay Types

Dont all digital delays sound the same? What gives a digital delay its own unique personality? Digital conversion technologies in the late 70s were advancing rapidly, and clever electronics designers were on a quest to squeeze out the best possible performance specs, with fidelity not possible from tape or analog circuits. Their imaginative solutions to the limitations of the conversion process resulted in delays that possessed some unintended, unique characteristics.
DIG accurately and beautifully reveals their individual personalities.

ADM A one bit, high sample rate conversion technique that evolved from telecommunications voice coding. The conversion and supporting signal conditioning, limiting, and pre-emphasis/deemphasis create a percussive wide-band delay that adds more character when
input dynamics increase.

12 bit A 12 bit, 32kHz PCM conversion made possible by monolithic IC chips developed in the late 70s. Pre-emphasis/de-emphasis and companding combine with the converters to produce a warm delay with a dimensional sense.

24/96 A clean, high-resolution, high-bandwidth delay with a hint of dynamics that allow the delay to sit nicely with the analog dry signal. 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.

Two Delays

At the heart of DIG are two simultaneous, integrated delay machines. Delay 1 is the master delay Its free-running delay time allows you to easily dial in delays from 20ms to 1.6s with the Time knob or Tap Tempo switch. Longe