Celemony Melodyne Studio 5 Update from Studio 3.

Description

Please note: this is an update from Melodyne Studio 3.

Here’s What Celemony Say About Melodyne 5 Studio:

How you want to Work with Audio Today

Melodyne 5 studio is the complete Melodyne, with all Melodynes unique functions and possibilities. For professional vocal editing, choirs, instruments of all kinds, and samples. And with a multi-track workflow unsurpassed in terms of ease-of-use and musicality.

Key Features

Grammy Award-winning technology, including DNA Direct Note Access
Exceptionally musical and intuitive note-based way of working
The algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
Multitrack Note Editing edit multiple tracks in a single Melodyne window
The complete Melodyne toolkit
Macros for correcting intonation, timing quantization and leveling even across tracks
The Chord Track and Chord Grid with automatic chord recognition
Tempo detection and editing
The Sound Editor, offering unique control over tone colours
Comprehensive functions for the editing of scales, tuning systems and temperaments
Inspectors for quick access to all parameters
Polyphonic audio-to-MIDI export
Full compatibility: VST 3, AU, AAX, stand-alone
Integration via ARA Audio Random Access (depending on the DAW)
MacOS and Windows, 64-bit
Current version: 5

New In Melodyne 5

New technologies, for better results in less time. Thanks to the fundamentally improved Melodic algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song chord recognition included. And with the unique Fade Tool, you can create note-based fades even in polyphonic recordings and samples.

Vocals, Now Even Better

Melodyne heightens its core competence. The Melodic algorithm used for vocals can now distinguish the un-pitched, noise-like components of a note i.e. voiceless consonants (such as sibilants like s) and breath sounds from its pitched components. Even when they coincide. And although all pitch and timing changes are implemented in the tried-and-tested manner as far as the pitched components are concerned, different rules that emulate accurately the natural behaviour of the human voice govern the handling of sibilants. So now when you are working with Melodyne, you obtain the highest possible sound quality and most natural-sounding results automatically.

Pros will be relieved to discover its no longer necessary to isolate each individual sibilant by hand. That saves a lot of time and makes for a more meaningful display in the Note Editor. At the same time, the results sound far better, as automation works more precisely and overlaps between sibilants and pitched components are taken into account.

Sibilant detection not only yields acoustic advantages but also new creative possibilities: With the Sibilant Tool, you can adjust the balance between the sibilants and the pitched components of a note. Sibilants can be attenuated, muted altogether, emphasised or even isolated everything is possible. So, into the bargain, you get a perfect de-esser that only affects the problem areas and has no side-effects on other components of the vocal sound.

Modelled on Human Hearing

Why do some notes sound out of tune and not others? Fluctuations in pitch contribute to the quality of a vocal performance, because it is through them that passion and emotional complexity find expression. They give it, in other words, its human dimension. But for their contribution to be a positive one, the nature, scope and precise timing of such fluctuations is of crucial importance.

A note doesnt necessarily sound sharp or flat just because it isnt spot on mathematically. Just part